Earthquake 2,

, 2006, 2,00m x 3,10m; acrylic and marker on canvas
Shani’s work “paralyzes” us in a manner that is not necessarily negative, while directing us toward a site devoid of hierarchies, a site that is apparently “under control,” whose palette is restricted and seems to exist in proximity to minimalism or to animation

http://www.gilmarcoshani.com/